KREAS Colloquium / Panel I (Noemi Purkrábková, Lukáš Prokop, Lenka Veselá) | current site

KREAS Colloquium / Panel I (Noemi Purkrábková, Lukáš Prokop, Lenka Veselá)

Saturday 15 October 2022 20:00

The panel will feature artist talks by artists and academics working with digital tools in sound and 3D imaging technologies. Discussion follows.

Lukáš Prokop (FaVU VUT), Noemi Purkrábková (FFUK), Lenka Veselá (FaVU VUT)

moderated by Vít Bohal

Noemi Purkrábková

Noemi Purkrábková is a media theorist, art writer, curator, DJ and co-founder of the amorphous audio-visual collective BCAAsystem, exploring future territories somewhere between music and visual arts. Together they are involved in a variety of projects, from audiovisual performances to video work, writing, gallery exhibitions and music label activities. She is an editor of Art Antiques magazine and a contributor to a number of others, as well as a PhD candidate at the Film Studies department of the Faculty of Arts at Charles University in Prague, where she deals primarily with productive poetics of digital fiction and ontogenetic qualities of contemporary moving image (art).
Lukáš Prokop

Lukáš Prokop is currently studying a master's program at FFA BUT’s Video studio. Abstraction, complexity and experimentation are of key importance in the thematical infrastructure of his work, materialized through labyrinthine 3D modeling processes, digital image manipulation and post-processing. His alias, h5io6i54k, is closely tied to the experimental electronic music scene via the creation of music videos, cover graphics or A/V collaborations. His work has been exhibited in Galerie Mladých, Zaazrak|Dornych, his works include Whisper Divulging, Svitanie, Opilio, and the long-term collaboration with labels and collectives include Genot Centre, Gin&Platonic or SOfT, among the most noteworthy of his projects to date.
Lenka Veselá

Lenka Veselá is a PhD researcher at the Department of Theory and History of Art at the Faculty of Fine Arts in Brno, Czech Republic. Her art-based research practice concerns “synthetic bodies” (bodies emerging by synthesis) and “synthetic bodies of knowledges” (knowledges synthesized across multiple sites). She is an initiator of a collective publication and exhibition project Synthetic Becoming bringing together work by artists, activists, and feminist technoscience practitioners concerned with sympoietic becoming with hormones and hormone-disrupting chemicals. Building on material feminist, new materialist, and posthumanist lines of thought and embracing queer ecological sensibility, the project is a series of critical but hopeful provocations that affirm posthuman mutability and articulate our “synthetic becoming” in ways that facilitate and promote caring relations. In so doing, they allow us to envision and enact hopeful futures as we learn to live well with and despite these peculiar chemical agents. Recent publications include “Hormonal Design: Synthetic Sex Hormones and the Management of Living” and “Artistic Research as Academic Borderlands”.